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DUBLAB LOVES JAPAN: A FUNDRAISER BROADCAST (03.23.11)

Image by dublabrat
CUT CHEMIST DJ SET

photo by: akikounico

ACSH 22

Image by HarcoRutgers
The 22nd edition of ACSH in Havenkwartier Deventer with a live radio play by Coolhaven and their guest Ilse Froklage.

Check here for more info: www.escrec.com/4534

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New Years Eve with Shane Mauss
Event on 2017-12-31 19:00:00

at Hyenas Dallas
5321 East Mockingbird
Dallas, United States

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National Chorale presents 50th presentation of Handel’s Messiah Sing-In
Event on 2017-12-15 19:30:00
National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with the 50th presentation of Handel's Messiah Sing-In on Friday, December 15, 2017 at 7:30pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are -100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.

Join an audience-chorus of almost 3,000 voices under the batons of 17 eminent conductors. Celebrate choral singing and sing in New York's most joyous and popular Holiday Season music event! The performance features Joanna Mongiardo, Michael Nansel, Holly Sorensen, and John Wesley Wright.

The 17 conductors from around the country, who will each conduct a movement, are Constance Chase, Hugh Ferguson Floyd, Gregory Hopkins, James John, Thomas Juneau, Deborah Simpkin King, Chris Ludwa, Everett Mccorvey, Vagarshak Ohanyan, Stephen Pagano, John Palatucci, Jennifer Pascual, Vincent Rufino, Kathryn Schneider, Michael Spierman, Jason Tramm and Mark Van Schenkhof.

"The National Chorale is one of the most firmly established professional choral groups in the country."- The New Times

ABOUT THE VOCAL ARTISTS

Versatile soprano Joanna Mongiardo is recognized for her effortless coloratura and spellbinding charisma on stage, and is in high demand for both operatic and symphonic repertoire internationally. This season, she makes her New York City Opera debut in Resphigi's La campagna sommersa, returns to Boston Midsummer Opera as Adina in The Elixir of Love, and sings soprano solos in Mozart's Exultate, jubilate and Requiem with the Commonwealth Chorale. Most recently, Joanna has had great success as Cinna in Mozart's Lucio Silla with Odyssey Opera and in the title role of Flotow's Martha with Boston Midsummer Opera. The 2014-2015 season included a role debut as Rossini's Semiramide with Opéra Nice Côte d'Azur, her Dallas Opera debut as Brigitta in Tchaikovsky's Iolanta, and a return to the Back Bay Chorale for Mozart's Mass in C minor. In recent seasons, Joanna has brought the "energy and charm [of] her delicious Blonde" (ForumOpera Magazine) to more than 30 performances of Die Entführung aus dem Serail, including productions at Grande Théâtre de Genève, Opéra Nice Côte d'Azur, and Deutsche Oper am Rhein. A gifted comedienne, her Rosalina in Il Re with Teatro Grattacielo was named "Best Individual Performance of 2011" by Das Opernwelt Jahrbuch, with Opera Today writing, "Joanna Mongiardo, who has a voice of impressive size and warmth, as well as a technique with ornament…also has a putty face, capable of expressing several emotions at once and making fun of herself while expressing them." Opera News raved, "As the besotted Rosalina, lyric coloratura Joanna Mongiardo scored a triumph, effortlessly negotiating the fiorature, extended trills and stratospheric high notes." As an ensemble member of the Deutsche Oper am Rhein, Dusseldorf, Joanna performed lead roles including Sophie in Der Rosenkavalier, Oscar in Un ballo in maschera, Nannetta in Falstaff, and Susanna in Le nozze di Figaro. In America, her turn as the title character in the 50th Anniversary production of The Ballad of Baby Doe at Central City Opera was praised by Opera News: "Petite, with a theater-filling smile, Mongiardo radiated warmth through her unforced, pearly-fresh timbre." Reengagements at Central City have included Eurydice in Orpheus in the Underworld, Thérèse in Les Mamelles de Tirésias, and Lauretta in Gianni Schicchi. Debuts as Juliette in Roméo et Juliette with Dayton Opera and Anne Trulove in The Rake's Progress with Toledo Opera were similarly praised, with Opera Magazine raving, "Mongiardo's sunny lyric sound surely won all hearts." Joanna has graced concert stages from Bellingham, Washington, to Shanghai, China, and has performed her signature Carmina Burana with more than 15 orchestras, including the Philadelphia Orchestra, Detroit Symphony, National Symphony Orchestra, and Oratorio Society of New York. Works by Handel, Haydn, Mozart, and Schumann have taken her to the Pittsburgh Symphony, Louisiana Philharmonic, San Diego Symphony, Indianapolis Symphony, Oregon Symphony, and the Orquesta Sinfónica Nacional de México, under the batons of Charles Dutoit, Philippe Auguin, Jonathan Darlington, John Fiore, Leopold Hager, Neemi Jarvi, JoAnn Falletta and Carlos Miguel Prieto.

Baritone Michael Nansel is an award winning singer and actor. Best-known as an opera singer, he is also an accomplished recitalist and concert artist, and appears frequently in musical theater classics. Mr. Nansel has 66-roles to his credit. "Michael Nansel won the hearts of audience members in his portrayal of the brash and conceited Belcore, his baritone voice in fine, fluid form throughout the performance."-Wichita Eagle He sings music from the Mozart to Sondheim, from Verdi to Rodgers & Hammerstein. He was the Wichita Grand Opera Singer of the Year in 2012 and was the dual winner in 2003 of the Washington Area Theatre Community Honors for Outstanding lead actor in a musical and Outstanding Featured Actor in a Musical. He has also twice been a member of Casts nominated for Helen Hayes Awards. His voice has been described as "stentorian", "rich" with "great vocal and emotional power". Reviewers have also remark that his acting "communicates deep humanity", can be "tender and anguished" and that he is "the top banana". Mr. Nansel possesses a diverse repertoire ranging from the comedic Don Giovanni (Don Giovanni) and Belcore (L'Elisir d'Amore) to the dramatic Count Di Luna (Il Trovatore) and Escamillo (Carmen). Among his most widely acclaimed roles are the Di Luna (Il Trovatore), Iago (Otello), as well as Malatesta (Don Pasquale), Danilo (The Merry Widow), and the Title Character in Sweeney Todd: The Demon Barber of Fleet Street. His concert credits include: Mendelsohn's Elijah, Haydn's Creation, Mozart's Requiem, Faure's Requiem, Handel's Messiah, Brahms' Requiem, and Beethoven's Mass in C Major.

Often hailed as a true Mezzo Soprano, Holly Sorensen is known for her rich, colorful, and expressive timbre. A gifted singing actor with great versatility, Ms. Sorensen was described as having, "a grand time!….dispensing attitude with relish and producing some impressively chilling tones" – Opera News. Most recently, The Tampa Bay Daily Loaf wrote," a creamy mezzo that soars lusciously and is breathtaking in her cruelty", following her debut as Dalila in Samson et Dalila with St. Ptersburg Opera. Ms. Sorensen performs a wide variety of repertoire, ranging from dramatic leading mezzo roles, to comic Rossini. Some of her other stage credits include, the title role in Carmen, The Mother – Hansel and Gretel, Suzuki – Madame Butterfly, La Prima Donna – Salieri's Prima la Musica poi le Parole, Pitti Sing – The Mikado, The Secretary – The Consul, Sorceress – Dido and Aeneas, Prince Orlofsky – Die Fledermaus,The Princess Aunt – Suor Angelica, and Giovanna – Rigoletto. Highlights from various scenes programs include Isabella – L'Italiana in Algeri, Augusta – Ballad of Baby Doe, Charlotte – Werther, Mallika – Lakme, Mrs. Lovett – Sweeney Todd, and Mrs.Grose – Turn of the Screw. Some of her operatic Performance venues include, Utah Opera, Des Moines Metro Opera, Bronx Opera, Utah Lyric Opera, Connecticut Grand Opera, Opera in the Ozarks, Ardamore Chamber Opera, Opera Company of Brooklyn, Dicapo Opera, Boston Classical Orchestra, and The Greenwich Pops Symphony. Ms. Sorensen has also been lauded for her concert and oratorio work, as a mezzo with "luscious tones" – Greenwich Times and "glamorous and beautiful to see and hear" – Greenwich Citizen. She most recently made her Avery Fisher Hall debut singing as mezzo soloist in Mozart Requiem with DCINY; where she was hailed as, "radiant" by the New York Concert Review. She has also performed Mendelssohn's Paulus with the Oratorio Society of New York in Carnegie Hall. Other performances include, Handel's Messiah, Respighi's Laud to the Nativity, Mendelssohn's Elijah, the Yizkor Requiem and Bach's St. John Passion. Ms. Sorensen performed the Mozart Requiem and Vivaldi Gloria in Venice, Italy with Dicapo Opera Summer Tour. This year she was the featured mezzo soloist with the Salt Lake Choral Artists in performances including the Bach B Minor Mass, and "The Armed Man", by Karl Jenkins. She has performed frequently with the Greenwich Choral Society and Greenwich Symphony in Connecticut. Other oratorio engagements include solo work with the Allentown Symphony, Norwalk Symphony, and First Congregational Church of Greenwich Orchestra. She has also been applauded for her recent recital repertoire including works by Mahler, Manuel de Falle, Schubert, Schumann, Barber, and spirituals by HT Burleigh. Ms. Sorensen was the featured mezzo soloist with Connecticut Grand Opera's "Champagne and Arias" Gala. Ms. Sorensen was the winner of the 2011 Nico Castel International Mastersinger Competition at Carnegie Hall. She was a finalist in the Oratorio Society of New York Competition, and winner of the Mendelssohn Competition with Norwalk Symphony. Additionally, she was awarded Second Prize at the Eugene Opera Belle Voci National Competition, Second Prize at the Classical Singer Convention in New York, and was a semi-finalist in the National Association of Teachers of Singing Competition.

Tenor John Wesley Wright was the gold medalist and top prize winner of the American Traditions Vocal Competition 2000, and has claimed top prizes from the National Federation of Music Clubs, Metropolitan Opera National Council, and the International Schubert Competition in Vienna, Austria. Holding degrees from Maryville College and the University of Cincinnati College-Conservatory of Music, his diversity as an artist has afforded him nationally televised concerts for the Belgian Royal Family (Brussels, Belgium), the John F. Kennedy family in a 50th Year Celebration of John F. Kennedy's visit to New Ross, Ireland, as well as tours as a soloist and with professional ensembles throughout the United States, Europe, and Japan. With a host of opera and oratorio roles, art songs, spirituals, chamber and cabaret music in his repertoire, Wright is a member of the internationally acclaimed American Spiritual Ensemble. His rendition of "Here's One" is highlighted in the PBS documentary, The Spirituals: Featuring the American Spiritual Ensemble, released in 2007. In recent years, Wright was guest soloist for the Baltimore Choral Arts Society (Mozart's Requiem, Bach's B Minor Mass and Magnificat); Dayton Bach Society (St. Matthew Passion, Evangelist); Messiah Festival of the Arts in Lindsborg, Kansas (Messiah, St. Matthew Passion); and performed in Lucerne, Switzerland where he was guest artist with the choir Matthäuskantorei for a program entitled "Black and White Spirituals". Having worked with such conductors as Tom Hall, Nicolas McGegan, Ton Koopman, and Robert Page, many of Wright's concert career experiences have been under the baton of Neal Gittleman and the Dayton Philharmonic Orchestra. With Gittleman and the DPO, he has sung the title roles of Bach's Passions, Britten's War Requiem, Handel's Messiah, Monteverdi's Vespers of 1610, and Einhorn's Voices of Light. In May of 2011, Wright returned to Ohio and triumphed in the role of the Celebrant in Bernstein's Mass: A Theatre Piece for Singers, Players, and Dancers, reviews praising his "mastery of the oratorio genre" and "impressive acting range and voice". A native of Rome, Georgia, Dr. Wright is coordinator of the voice and opera programs at Salisbury University (Salisbury, Maryland). He is an active clinician, consultant and leader of workshops on voice production, song interpretation, and African-American song tradition.

NATIONAL CHORALE'S 2017-2018 SEASON CONTINUES WITH:

March 16, 2018
Angela Rice – Thy Will Be Done, An Easter Oratorio
New York Premiere featuring tenor Gregory Turay

April 13, 2018
Beethoven's Symphony #9 and Ralph Vaughan Williams – Serenade to Music

ABOUT THE NATIONAL CHORALE
The National Chorale, New York's premier professional choral company, is celebrating its 50thLincoln Center Season at David Geffen Hall, previously Avery Fisher Hall, with its continuing series of choral orchestral masterworks and 20th century American Classics.

Founded in 1967, the National Chorale is the only professional choral company in the United States to have established and maintained an annual subscription season in the major New York City concert halls – 50 seasons in David Geffen Hall, with additional concerts at Carnegie Hall. It presents a broad repertory of choral-orchestral works; seldom-performed works from many stylistic periods; opera-in-concert; American music theatre; and contemporary works, including commissions by the Chorale for its Lincoln Center Season.

In addition to its David Geffen Hall series, the Chorale has toured nationally; presented 19 summer seasons of New York Festival of American Music Theater concerts in Lincoln Center's Damrosch Park and parks throughout the New York area; concert tours of New York State and New York City; vocal-instrumental chamber music series, and Concerts for Young People.

The National Chorale is a leader in the development of choral singing in the New York City area. The New York Times calls the National Chorale "one of the most firmly established professional choral groups in the country."

For 50 years, the Chorale has also presented vocal music education programs for NYC public schools, developing singing participation and future audiences for choral and vocal music. National Chorale's contracts with the NYC Department of Education provide year-long artist-in-residence programs for elementary, middle and high schools throughout the city. The Chorale regularly tours New York area schools, presenting concerts and choral workshops; and will present the popular 25th annual New York City High School Choral Festival, the 8th annual Elementary School Choral Festival and 5th annual Middle School Choral Festival in April and May 2018, with 36 participating high school, elementary and middle school choirs and more than 2,700 student singers from all five Boroughs of the City.

The Chorale also has a major Partnership with the NYC Professional Performing Arts High School in Manhattan, now in its 8th year, where a team of Chorale artist/teachers lead and develop the PPAS Vocal/Choral Program daily throughout the school year. The PPAS Choir will perform at Lincoln Center at each National Chorale performance during the 2017-2018 Season.

Everett McCorvey is in his fourth season as the Artistic Director of the National Chorale. Vocal Excellence is a hallmark of Dr. McCorvey's work with professional choirs and with professional singers in concerts, masterclasses and workshops throughout the world. Over a span of over 35 years, Dr. McCorvey has engaged choirs and audiences on 4 continents in moving and dynamic experiences with his unique and committed interpretation of choral music of all genres. Dr. McCorvey is also the founder and Music Director of the American Spiritual Ensemble, a group of 24 professional singers performing spirituals and other compositions of African-American composers. He is a frequent advisory panelist and on-site reviewer for the National Endowment for the Arts in Washington, D.C. and he has served on the Boards of the National Assembly of State Arts Agencies, National Opera Association and the Kentucky Arts Council. Dr. McCorvey has recently been invited to serve as a jurist on the Opera For All Voices initiative established by San Francisco Opera and Santa Fe Opera. The panel will review new operatic works for the industry with the goal of bringing new audiences to opera. On working with the National Chorale, Dr. McCorvey said "Celebrating the 50th Anniversary of great choral singing with the National Chorale is indeed an honor and a privilege. It is my fervent hope that we can continue to sing, share and experience the goodness of humanity through music and learn of each other better through sharing in the arts."

ABOUT DAVID GEFFEN HALL AT LINCOLN CENTER
In 1962, Philharmonic Hall-renamed Avery Fisher Hall in 1973 and later renamed David Geffen Hall in 2015-became one of the first buildings to be completed on the Lincoln Center site and home to one of its first resident organizations, the world-renowned New York Philharmonic, the oldest symphony orchestra in the U.S. Today, David Geffen Hall hosts notable performances by acclaimed orchestras and artists from around the globe, as well as galas, film premieres, graduations, and conferences. Located on the north side of Josie Robertson Plaza facing Lincoln Center's iconic Revson Fountain, David Geffen Hall's spacious lobby and promenade feature such eminent artwork as Rodin's bust of Gustav Mahler and Dimitri Hadzi's sculpture The Hunt, in addition to wraparound views of the Lincoln Center campus.

at Lincoln Center – David Geffen Hall (Formerly Avery Fisher Hall)
10 Lincoln Square
New York, United States

FMDallas


by wallyg

Instead of running yourself ragged worrying about tomorrow, this month, harness the power of the present.

 

Let People Buoy you Up

 

Having a blue day? Rather than brooding alone, seek out people. ‘Part of being happy moment by moment is taking charge of your mood, and you can do this just by making the effort to interact with someone,’ says Julie Clark Robinson in Live in the Moment (Beyond Words). Whether it’s an old friend, the cashier at the supermarket or a stranger on a bus, people make the difference between a day that’s full and one that’s melancholy, she says.

 

Align your Body with Today

 

Physiotherapist and mind-body practitioner Sue Fuller-Good advocates focusing on your breathing to bring you into the present moment. ‘If you’re always thinking about the future, and what’s coming, your body will manifest that. Your posture may be tilted forward, with your face poking out. By changing your body posture, you are changing your mind, because the two are interlinked,’ she says. ‘Try to keep your attention on this minute. For example, when you’re in traffic, thinking anxiously about where you’re going and whether you’re going to be late won’t get you there any faster. Rather, living “forward” will make you oblivious to the opportunities available now. You can’t control the future, and it often doesn’t turn out like we plan. The one moment you can control is right now.’

 

Live Each Day to the Full

 

Being aware of our day-to-day, minute-by-minute usage of time can help to keep us firmly fixed in the now, rather than focused anxiously in the future or regretfully in the past. Being really aware, rather than rushing through you life, means noticing the small stuff.

 

‘I’ve set my sports watch to beep at me every hour,’ says Life Strategies’ Cris Baker. ‘I use this as a reminder to notice what’s happening right at that moment. I stop whatever I’m doing and take a few seconds to enjoy whatever is happening: the sun, the rain, the clouds or the blue sky, the people passing or the quiet when people aren’t passing. When there is a magnificent sunset, I stop to watch it. This rarely delays me by more than a few minutes, and if I am late, I’m late. Life is too short to worry about what isn’t. I prefer to enjoy what is.’

 

Stop the Worrying

 

Meditation is one of the best ways to learn to limit interfering thoughts. And everyone can do it. Just five minutes a day of sitting quietly listening to your breathing, trying to clear your mind of runaway thoughts, and simply acknowledging what you’re doing, when you’re doing it, is a great way to focus on the now.

 

‘Generally, when we think about the past or the future, we are either pleased or unhappy about it. But following random thoughts is giving away our power to the external event’ says Baker. ‘Rather let it be, and instead think about the thoughts you want to spend your time exploring. So any time we’re in the future or the past, we’re missing life; we’re missing the present,’ he says. ‘When I find myself worrying, I find solace in this quote by Mark Twain:’ ‘I am a very old man and have suffered a great many misfortunes, most of which never happened,’ says Baker.

For more articles on sexual health subscribe to Sandra Prior’s online newsletter at http://intercell.shacknet.nu

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Self-Made Sistas Release Party
Event on 2017-12-09 21:00:00
VIP Tickets are SOLD OUT, but you can join us for the AFTER PARTY December 9th from 9:00pm-11:00pm.  The Castle at Rockwall is the location for a 5-Star extravaganza in honor of the launch of the Self-Made Sistas™ Reality Show Pilot! You do not want to miss this event! Join us and enjoy an evening of sophisticated fun, celebrating this amazing journey,  as we prepare to present our project to the world!  We will have music provided by DJ (TBA) plus a cash bar at your disposal! Mix and mingle with the Cast and the who's who of Dallas, plus meet the Executives; Creator Candace May and the pilots Director Celeste Celeste. After Party Tickets include:  Valet Parking  After Party Admission  After Party Ticket holders are permitted to enter the Castle between 9-10pm ONLY! The Castle doors will lock at 10:00pm SHARP. Security will be provided in part by the Rockwall Police Department. 

at Castle Douglas
2071 Clem Road Extension
Rockwall, United States

FMDallas

A few nice marrakech images I found:

rehearsal_0439
marrakech
Image by icpc.news
Photographer: Randy Piland

finals_rp_0334
marrakech
Image by icpc.news
Photographer: Randy Piland

TV 2M

Some cool live news images:

Pipedreamer
live news
Image by new 1lluminati
Here Be Magic: The Source’s Apprentice>

FEAR = False Evidence Appearing Real
HOPE = Higher Order Potential Explored
LOVE = Living One Vibrant Energy

Who are you, what is the world, how did you get here, where are we going and why? Every child asks these questions, as do the mortally ill and those suddenly faced with unexpected change.

Young children (and venerable ancients) are most intimately connected to the deepest mysteries of being. All existence is a glorious mystery that inspires open minds and passionate hearts. Life begins in a rush of extraordinary emotion with an intimate embrace of the actual, immediate, visceral present and leaves deep imprints that last through the next rebirth and beyond.

Many newborn babes know answers to the deepest conundrums, yet quickly forget – distracted by the ongoing process of learning to wear a new body in a strangely demanding culture of drowsy domesticated primates. Most ‘modern’ people are quickly weaned from a sense of wonder to suckle on toxic waste and moribund notions in notional nations at war with themselves. What use are masters and mistresses of universal truths to soulless machines of industrious wastage – to self-styled half blind so-called ‘leaders’ who only require mindless cogs and obedient dogs that will work on their pet projects without question?

Eternal questions lead to cascades of answers and torrents of more questions. At some point in life all beings wonder and ponder the primal questions of life, the universe and everything. Every child knows they’re on a magical mystery tour, exploring and creating a gloriously intricate realm of intriguing riddles and sumptuous sensualities. Every freshly incarnate soul knows answers to eternal conundrums and recognises that truth must be really simple, clear and meaningful – unlike the plethora of corporate, ‘religious’ and ‘spiritual’ lies they’re fed to keep them in place in the usual fowl-brained pecking ordure.

People are rapidly weaned from infinite fonts of unending wisdom, fed on senseless half truths and superstitions by blithering wastrels until we’re self-caged in boxes and propped before blinding screens devoid of imagination, filled up with loony marching tunes, violent comical characters, warrior ‘ethics’, impersonal personalities and mobsters from the Id.

Yet every being who finds themselves living in the bosom of Gaia has the ability to flourish in a garden of freedom, art, truth and beauty – unless the divine rapture of happy revelry is beaten and brainwashed out of them by damaged control freaks. The adulteration of adulthood customarily twists each bright new spark into a carelessly forgetful servile dolt wearing uniform uniforms that suit self-styled bosses and no-one else. Yet the bright living world continues to glow and beckon with magnetic inner light, awakening inner sight and inner sense in every insightful innocent soul.

Even while selling, selling out or selling one’s soul, answers and questions lurk within, biding their time til the moment of wonder emerges anew – flowers that bud from slimy mud to bloom in the light of an unbranded bright new day.

Children know what magic is. Magic is obviously the ability to alter the fabric of ‘material reality’ at will. Adolescents and adults who quest after magical reality or ultimate truths usually encounter the teaching that magic is the ability to alter one’s level and state of consciousness at will. It transpires that these two views of magical reality are one and the same, for the world is made of mindstuff – the very same stuff you’ve made of your self.

We’re all the creator of the world we inhabit. We make and remake the cosmos we perceive from instant to instant in a seamless flow far quicker than any word or thought a monkey mind can shape or utter. We mould malleable mindstruff to fit about our hopes, dreams, desires and fears. The strongest, most emotively driven visions predominate, setting the course of our self-chosen destiny from moment to moment. At every instant new doors are opened and closed by decisive thoughts which come and go so swiftly they barely seem to register, ignored by minds entrained to self destruction through perpetual distraction.

Who won last weekend’s game? Who’ll win next week’s? Who really cares or remembers the identikit features of identical born-to-die gladiators or the meaningless trivia of daily scores? Every broadcast from the blaring, pumping, chest-thumping media is thoroughly massaged premasticated pap made to sell, sell, sell the messy message that life is hell without labels and boxes and plastic bags. The ‘news’ is a neverchanging regurgitated weather report overflowing with the meaningless mummery of falsified finance, shaggy cat stories and fishy tales about the none that got away from The System.

People aren’t encouraged to examine their minds – to investigate the source and route of each thought that passes through the easily distracted awareness of industrious sociable beings. In the kingdom of the blind, endless mindless busyness is promoted to a virtue and self-examination is regarded as ‘useless navel gazing’.

The boss will tell you that there’s plenty of time for self examination when you’re fading and tired and retired from the rat race. There’s plenty of time to be free when you’re old, weak, moribund and no longer a potential threat to the busy, dizzy status quo. Meanwhile, follow the leaders and only read parking meters – and pay through the nose for the right to exist, eat, drink and inhabit space. Do what’s expected of you and reap your reward; Work. Consume. Obey. Marry and reproduce. Die – and then begin all over again, with that alluring ‘clean slate’ – that fresh start each adult craves when they realise they’re botching Life and selling their heritage for a bowl of cold potage.

Turn on. Tune in. Opt out! The real world and real you awaits; waiting for you to discover your self.

You always get what you wish for – often when you’ve forgotten you ever wished for it – so be careful what you wish for, for wishing is magic. Each idle thought is a wilful wish when fuelled by hope or fear, love or anger or any potent emotion in the unformed ocean of eternal becoming.

Magic in a Holographic Fractal Multiverse

The cosmos is infinite, and we don’t even live in a single universe. We live in – and contain – an infinite multiverse of limitless potential.

Fractals and fractal imagery demonstrate the truth of an infinite cosmos shaping and shaped by each whole fragment of ultimate reality. Every part, particle, participle and person reflects and refracts the infinite whole – a fluid hologram altered by individual perspectives in a freewheeling free willed phantasmagoria of endless possibility and infinite variety in continuous communion with itself.

As free will is real and events are not locked into predetermined courses, there can’t be any such thing as accurate prediction – just hypnotic programs that attempt to create self-fulfilling prophecies – for all is in flux and the Book of Life is always being inscribed and rewritten as the Book of Changes. There was no single Big Bang or Creation event, for creation continues at all times in all places, everywhere and anywhen. The illusion of creation is simply the result of premillennial brainwashed minds; a dopey falsehood imagined by ‘scientists’ entrained to believe in a fantasy parental archetype – a creator god (or goddess) – by superannuated superstitions strangely exalted as ‘faiths’ or ‘religions’.

There is no god and no master, but truth, beauty, freedom and love are royally real. You are the creator. You are totally free – and ultimately responsible for everything! No guilt, honour, opprobrium or any other imaginary construct applies to you as a result of your creation. Mistakes are impossible in an infinite multiverse; all is research and all is Art. Yet some artistic creations are more pleasing to the senses than others and some acts far more compassionate and conscious. The holographic nature of reality assures that everyone IS everyone and that one simple ‘rule’ actually does apply to all human behaviour and discourse – the eternal Golden Rule; do as you’d be done by.

You create (your own) reality. How are you doing it? Self-styled creators tend to develop an exalted opinion of themselves, in the false belief they’re in charge of everyone and everything else – yet everyone is in charge of and charged by their own ongoing freeform destiny, ultimately beholden to no other yet intricately interlinked with all. Everyone is divine, a whole fractal facet of everyone and everything.

You magnetise reality, shaping and guiding the transitory ‘material world’ to follow the pattern of your dreaming. How are you doing it? Are you actually moulding the infinite potential of possibility itself, or are you selecting the best of all possible worlds from the myriad pre-existing choices available – or both, or neither? Are you a corpse that died at an earlier time, dreaming the ongoing world as you decompose into soil? Are you a Neo(tonous being) imagining a preprogrammed life in an artificial matrix?

How can you truly know the truth?

By examining each thought and image that enters your mind, and seeing from whence it arises. By meditating, and truly SEEING the sea of mentality through which you’re swimming until you find the still, pure centre where the true you abides, becoming the source of all creation at the centre of the cyclone, wreathed in the swirling spin of everchanging thoughtforms and myriad potential.

Kaleidoscopic Cosmos

There is another way of viewing the kaleidoscopic cosmos. Matter doesn’t exist. It’s an illusion created by apparent ‘particles’ which also don’t exist in ‘real’ terms, but are actually eddies formed by intricately interlocking standing waves. We live in a fluid fractal hologram. All patterns echo the primal form from which all other fractal versions and visions are derived; the vortex at the core of all things, the shape of the cosmos itself.

Every ‘electron’ and every other vortexial fragment of wholistic unity holds a holographic image of everything within its spinning skein. Every grain of a holographic image contains an image of the whole picture, and every vortex is implicately linked to all others at all levels of resolution.

In quantum theory an ‘electron’ is said to rotate around its axis more than once during each rotation, circling through infinite plena of potentials (other universes) before returning to the phase – the place – from which it’s observed. Thus every part of all possible universes is in potential and actual contact with every other part, at all levels of resolution – and so are you.

Every cloud is a fractal representation of every other cloud. All clouds are different yet similar forms, all exhibiting tendencies we recognise as ‘cloudness’. All trees are fractal representations of every other tree. Every person is a fractal representation of every other person. Every ‘universe’ is a fractal representation of every other universe, and all are intimately linked in the most fundamental ways. All forms are representation of the primordial vortex, the wellspring from which all arises.

Everything we perceive/conceive/receive is produced by standing waves, and standing waves are formed between complementary poles. Every thing vibrates between its core and extremities – the poles of creation – yet the extremities and core of every single thing extend forever and are linked to literally everything.

We live in a far greater reality than a simple single universe. The universe we perceive is a tendency that tends to maintain its apparent form and substance almost wherever we look, but if you step back from the brink of egocentric personality and really see you’ll notice differences and changes all around and within you, all the time. We are part and parcel of everything, and everything changes all the time in ways too varied to mention. Everyone is surfing through spacetimes and everyone gets exactly what they wish for with their most wilful impassioned desires.

Hopes and dreams – affirmations – predominate over fears and insecurities when you invest them with awareness, focus and consideration. Hopes manifest most easily when they dovetail with the dreams of other beings in a mutually reinforcing matrix. Hope for the best! Dare to dream of Paradise – for all.

Psychic abilities are real and available; you enact their reality all the time. Telepathy is an ongoing eternal reality; not something to be achieved, but recognised. The same applies to all psi abilities or ‘psychic powers’. Learning magic begins with the simple recognition –reknowing – that it exists, and you are already ‘doing’ it. That’s how you got here. That’s why you’re reading this.

.You are implicately and inextricably interwoven with the entire potential cosmos. To activate a broader awareness of all this potential you have to explore the core of your being and the limitless bounds of self. The whole whirled world is whorled from mindstuff and thou art god.

And myriad other beings already know this. We soar from the shoulders of giants.

Way Out, Far In

To begin any magical operation draw a circle around yourself, starting in the East. Do it now. In the southern hemisphere of this spinning Earth sphere the circle of protection is drawn clockwise (looking down from above). The opposite pertains in the northern hemisphere.

The circle is an inviolable horizon and you are its centre. All possibilities exist between the horizon and the core. Arrange your body so your spine is erect and your breathing is full and clear – this can take a single moment or many years to achieve, depending on where you’re at and how you came to be here now.

See where you’re seeing the world from. Move that point of awareness – the place where you live – into the centre of your head. Do it now. View the world from the centre of centres and watch your peripheral vision expand – you’re already aware of far more than you think.

Listen to the thoughts you think you’re thinking… see them circling round the inviolate centre where you reside… the centre where nothing exists… in the Heavenly Pool at the core of creation.

You are not the thoughts, but the still silent witness within. Become the nothing that sees and is everything. When you’re here the void is clear, not dark at all but filled with the light of eternal awareness. Be here now. Be free…

You are already immortal You don’t have to die to change or be free. You just have to recognise yourself in every thing and every one… and set it all free to be in victorious sweet surrender…

When you’re located at the still centre of the cycle, place this centre directly above the equally still and central point at the centre of the bowl of your hips – your water-centre of ‘gravity’, the hara or navel chakra, below and behind your physical navel. You can view the world from here as well, with a differing perspective that creates a different style of consciousness. Breathe deeply from and into this core and fill it with chi, prana, the Holy Spirit.

When your spine is straight and the waters above are directly above the waters below, a current begins that sparks the fusion, creating the pure flame of an opening, flowering heart.

Breathe…

If you do this and seek the truth all teachings will follow and flow through you, manifesting from the limitless potential of our massive multiplayer online cocreation. Be the immortal that witnesses all from the core of breath and being. Remove the screen from your eyes and BE HERE NOW. We create the best of all possible worlds… together.

It’s a beautiful, wonderful world.

All things in all times in all places are one thing, and that thing is love

– R. Ayana

Thanks to those who passed and pass this to and through…

Image – author’s: The Great Work

For further enlightening information enter a word or phrase into the search box @ New Illuminati or click on any label/tag at the bottom of the page @ nexusilluminati.blogspot.com/

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The Her(m)etic Hermit – hermetic.blog.com/

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From the Her(m)etic Hermit @ hermetic.blog.com/2012/01/04/here-be-magic/

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Event on 2017-11-14 18:30:00
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