Only Drinks

Drinks and Cocktails guides and resources

Browsing Posts published by Garreth Holle

An Evening With! John Knott’s Cartoons with Ed Owens
Event on 2017-06-15 18:30:00
John Knott worked for the Dallas Morning News from 1905 until his retirement in 1957. During this time his artwork amassed to over 15,000 pieces. The archives of the DHS holds more than one third of this body of work. His most famous character “Old Man Texas”, was devised in 1906 to symbolize rural Texas, honesty in government, low taxes, and property ownership. His work was reprinted in many major American newspapers over the years. His work encompasses every possible aspect of the public’s interest from the humorous to the social conscience of the state and nation. Come hear Ed Owens discuss Knott's life and body of work and view many of Knott's original cartoons from the DHS collection.  To purchase the entire series please go HERE.  To become a Dallas Historical Society member go HERE. 

at Hall of State at Fair Park
3939 Grand Avenue
Dallas, United States


Event on 2017-06-02 19:00:00
The Potomac Valley Association (PVA) Junior Olympic Committee and USA Boxing present, for the first time in history, Olympic Style Amateur Boxing at the legendary Howard Theatre.On Friday, June 2, 2017 at 7 p.m. some of the greatest amateur boxers in the country will compete in this fundraising event. All proceeds from Friday Night Fights at The Howard Theatre will support the PVA Junior Olympic National Team at the 2017 Junior Olympic National Championship in Charleston West Virginia.PVA has one of the strongest Junior Olympic teams in the country. In 2016, PVA sponsored 21 youth between the ages of 8-16 at the Junior Olympic National Tournament in Dallas Texas. Our boxers brought home 10 medals (3 gold, 2 silver, and 5 bronze) and the 1st Place Regional Award.Come be a part of this historic event, the 1st FRIDAY NIGHT FIGHTS AT THE HOWARD THEATRE. Meet our 2017 Junior Olympic National Team and enjoy an exciting night of boxing.

at Howard Theatre
620 T St NW
Washington, United States


Het Gelders Orkest + Liza Ferschtman
Event on 2018-01-18 00:00:00
Het Gelders Orkest + Liza Ferschtman

do 18 januari 2018 / 20:15 tot +/- 22:00 / Grote Zaal

Bernsteins ode aan de liefde

In 2018 is het 100 jaar geleden dat componist en dirigent Leonard Bernstein werd geboren. Ter ere van zijn verjaardag gaan Liza Ferschtman en het Gelders Orkest op tournee door Europa, met een van Bernsteins mooiste werken: de Serenade after Plato’s ‘Symposium’. Dit werk is in feite een verkapt vioolconcert en Ferschtman op het lijf geschreven. Bernstein baseerde de compositie op Plato’s beroemde tafelgesprek over de aard van liefde.

Liza Ferschtman – vorig seizoen nog Zielsverwant van het Muziekgebouw – speelde de Serenade al vaak en met veel succes, onder meer in Dallas met Jaap van Zweden en met het befaamde Boedapest Festival Orkest van Iván Fischer. Samen met het Gelders Orkest zette ze het werk ook op cd. Het programma bevat verder geliefde muziek van Bernsteins landgenoten George Gershwin, Charles Ives en Aaron Copland.

at Muziekgebouw aan ‘t IJ
Piet Heinkade 1
Amsterdam, Netherlands


Umbrella thorn acacia tree (Vachellia tortilis) at sunrise in Amboseli National Park, Kenya, East Africa
Image by diana_robinson
Umbrella thorn acacia tree (Vachellia tortilis) at sunrise in Amboseli National Park, Kenya, East Africa


Wine Crawl Dallas – Private Wine Tour Via Luxury Transportation
Event on 2017-10-21 15:00:00
Wine Crawl is private wine tour in select cities that includes trips to popular wine bars, wineries and restaurants. Join us as we kickoff Wine Crawl in Dallas on February 25th.  Tickets include transportation all tastings and prize drawings  (3 stops total)  Including Prize Drawing For A Trip For  Two To Las Vegas. More Details to Follow : 5 per person

at House of Blues – Dallas
2200 N Lamar St
Dallas, United States


A few nice morocco images I found:

Image by fabiogis50
cntr 24


A few nice radio station images I found:

WPBZ-fm 103.1 The Buzz

Image by librarianfinsen
I was an on-air personality on this radio station in West Palm Beach, Florida 1995-1998, 2009-2010

Amateur Radio on the International Space Station (ARISS) contact with Institut Florimont from the ITU amateur radio station 4U1ITU

Image by ITU Pictures
Amateur Radio on the International Space Station (ARISS) contact with Institut Florimont from the ITU amateur radio station 4U1ITU. © ITU/F.Scotti


Some cool morocco music images:

Round 2 Announcements July 4th 2010
morocco music
Image by ImagineCup
The round 2 announcements of Embeded and Software Design categories gathered all Imagine Cup attendees at the Palace of Culture and Science. Everyone was really excited and all of the teams brought flags of their countries.

Software Design round 2: Malaysia, Finland, Ukraine, Serbia, Malta, Morocco, Singapore, Germany, Thailand, Croatia, NZ & Brazil

Embedded 2nd round: Brazil, France, Germany, Japan, Korea, Romania, Russia, Taiwan, UK, & USA

Feet in Marrakech
morocco music
Image by markhillary
Trip to Marrakech in Morocco in September 2009

Armin Van Buuren concert with Jochen Miller @ Abu Dhabi – 30/06/2011 – 01/07/2011
morocco music
Image by karimjazouani
Armin Van Buuren concert with Jochen Miller @ Abu Dhabi – 30/06/2011 – 01/07/2011


New York Liberty at Dallas Wings
Event on 2017-09-03 15:30:00

at College Park Center
601 S. Pecan St.
Arlington, United States


A few nice african songs images I found:

Slaves during slavery in the South. Photograph display on Gullah culture at Boone Hall Plantation.
african songs
Image by denisbin
Boone Hall Plantation.
What is special about Boone Hall? It has a wonderful Virginian Live Oak alley which was planted from 1743 to 1843. The plantation has been continuously producing crops since 1681. It especially focuses on Gullah culture and the slave quarters with presentations by black Americans. Eight slave cabins (1790-1810) depict different aspects of Gullah culture and history. The plantation style homestead was only built in 1936 but the original house was built around 1700. It has beautiful flower gardens and the azaleas should be at their best. In the 1850s the plantation had 85 slaves with many involved in red brick production. Its main crops in early years were indigo and then cotton from the early 1800s. Its structures include the round smokehouse (1750); and the cotton gin factory (1853).

Gullah Culture and Language and Blacks in Charleston.
Gullah language is recognised as a distinct language and the black American population of coastal Sth Carolina and Georgia recognise themselves as Gullah people. But where did this culture originate? American historian Joseph Opala has spent decades researching the connections between Sierra Leone in Africa and Sth Carolina. A majority of the coastal black slaves arriving in Sth Carolina in the 1700s came from Sierra Leone where the area was known as the “Rice Coast” of Africa. The slaves brought with them the knowledge and skills for rice cultivation in Sth Carolina; their rice cooking methods; their West African language; their legends and myths; and their beliefs in spirits and voodoo. The Gullah people are thought to have the best preserved African culture of any black American group. Few have moved around the USA and black families in Charleston are now tracing their family history (and having family reunions with relatives) in Sierra Leone and Gambia, despite a break of 250 years in family contact! Many can trace their family links back to the Mende or Temne tribal groups in Sierra Leone. The Gullah language is a Creole language based on English but with different syntax more akin to African languages and with many African words and a few French words. The word Gullah is believed to be a mispronunciation of the African word Gora or Gola which came from several tribal groups in Sierra Leone. The direct links with Sierra Leone have been supported by the discovery of an African American funeral song which is identical to one sung by villagers in Sierra Leone.

The Gullah women in Charleston are also known for their weaving- the Sweetgrass basket sellers who can be found in several locations around the city. The skill and tradition of basket making came directly from Africa. And although they do not usually use the term voodoo the Gullah people believe in spirits and the power of roots, herbs or potions to ward off evil spirits or to snare a reluctant lover. If a spell is cast upon you can be “rooted” or “fixed” by this witchcraft and unable to resist the spell. This spiritual tradition is still strong and even whites in Charleston paint the ceilings of their piazzas blue to ward off old hags and evil spirits (and the colour is also meant to deter mosquitoes.)

In the city of Charleston about 18,000 of its residents were slaves in 1861. Large households often had 10 to 20 slaves to do gardening, the laundry, the cooking, the cleaning, the food serving, caring for the horses etc. Some households hired out servants to others for short periods and some households sold products produced by the slaves – dresses, other clothing, pastries, shoes, hats, horse shoes etc. Some slaves were musicians and played for their masters or were hired out for social functions to other houses; others were hired out with horse teams for transportation of others etc. So not all slaves worked as domestic servants. But there were also free blacks in Charleston. Often illegitimate children were freed upon their white father’s death and some slaves received small incomes if they had special skills and they could saved enough to buy their freedom. Eventually some free blacks became slave owners themselves by either purchasing slaves or by inheriting slaves from their white fathers. One of the wealthiest free blacks in Charleston in the Antebellum period was Richard DeReef who owned a wharf where he ran a timber business. He also owned a number of rental properties in Charleston. Richard was not a former slave. His African father with his Indian wife had migrated to Sth Carolina in the late 1700s when this was still possible. As his business grew Richard purchased slaves of his own. Despite his wealth Richard DeReef was considered a mixed race or coloured man and was never accepted into Charleston society. After the Civil War when the Radical Republicans from the North were overseeing/controlling Southern governments Richard DeReef was elected as a city councillor in 1868. That was the year that the new federally enforced state constitution allowing blacks to vote came into force. DeReef probably only served for a year or two. By 1870 the Ku Klux Klan was active and blacks disappeared from elected positions. When Northerners left Sth Carolina to its own devises in 1877, with the end of Northern Reconstruction, Sth Carolina stripped blacks of their right to vote by new state laws. Ballots for each of the usual eight categories of office had to be placed in a different ballot box. If any ballot was placed incorrectly all votes by that person were illegal. Later in the 1880s southern states brought in grandfather clauses- you could only vote if your grandfather did. This meant that slaves were not eligible to vote.

ON VOCAL SANCTIONS — edvard munch looks back through time as max headroom — not a scream, a full belly laugh of joy : ishootwindows, san francisco (2013)
african songs
Image by torbakhopper
"on vocal sanctions and why the use of this technique is often spiritually reprehensible"

in the 21st century we have psychologically perfected the game of tag.

and vocal sanctions — controlled communication techniques — play a huge part in the silent war games of modern relationships.

last year, in august, two hugely important people imposed vocal sanctions against me.
and, i’m sure it’s been done before.
but neither one indicated it.

one just checked out completely and the other made an unspoken decision to "accept my calls", but not to make any in return (it turns out his reasons for imposing these vocal sanctions were because he had a new boyfriend but wasn’t brave enough to tell me and wasn’t supposed to be talking to me at all — LAME!!!! ????

since childhood, many of us have seen the saying — "talk only when you have to and never write at all". of course, this is the mantra of the lawyer, not the artist, the creator, the writer or any who have a truly open heart.

i think we all know that it is those who fear themselves who create fear in others.

so what are vocal sanctions and how can YOU use them to better your life? heheheh, just kidding, but sometimes i can’t help myself.

vocal sanctions take on many forms. therapists in all fields of mental health breakdown almost always encourage their "patients" (oh, come on, let’s just call them CLIENTS!!!!) to explore this strangely powerful field of communication control.

for instance, the silent treatment, an age old communication torture practice which can destablize and destroy children’s sense of self worth and ego has long been applied by parents and older siblings to smaller and more fragile and vulnerable children or siblings. this is just one of the many techniques and methods of delivering vocal sanctions.

when language and connection have been patternistically established through routine or repetition, that’s when vocal sanctions have the most power. as mentioned before, vocal sanctions are used to fracture relationships, so they "break" the normalized patterns. therapists claim that this is necessary, but they never take any responsibility for the fall out that "fracturing" causes instead of teaching methods for kind termination or gentle disassociation.

anyway, in order to use vocal sanctions, by decree, there must be a power imbalance in the relationship. vocal sanctions can be levied to either increase the disparity between two people or to exacerbate the tensions between people.

either way, vocal sanctions are a manipulative, crafted and premeditated response to the failings of the human condition. vocal sanctions are calculated and often never discussed before being imposed secretly. thus, a fracturing is made, but that fracturing is one which sneaks up like a fault-line on a southern california suburb development.

spiritually, this practice is for cowards.

the spiritual outcome and sorrow that comes from waging a vocal sanctions war against another human extends far beyond the intended victim. the impact of this technique, in undermining the ego of the person it is levied against, takes away from many people.

because vocal sanctions are spiritually immature and the direct result of modern "therapy teaching", which exults the separation of individuals and creates a cash market out of people’s life problems and their ability to see how they handle their life problems, the use of vocal sanctions is most likely petulant and comes from a place of hurt and unhappiness.

and often, like the AIDS epidemic in south africa, sanctions are more likely to be used to HIDE a much greater and deeper atroctiy.

the u.s. levied sanctions against south africa in the 80s and helped to redirect world attention away from the rapidly spreading and killer disease. by focusing attention on nelson mandela and freedom and bishop tutu, the world failed to see how AIDS was ravaging millions and millions of black africans sitting on some of the most coveted lands in the world…

so, too, vocal sanctions, when levied by the weak, or the hurt or the injured are generally a prime indicator that cowardice is the motivation.

personally, my ego being easily bigger than this building in the photo, i didn’t even notice that i had been vocally sanctioned. it has taken me nine months to come to the realization.

but i have a very busy life and can barely call myself back to say hi these days. so it took a long time to figure out that i’d been vocally sanctioned off.

and, oddly/honestly, of the two people that levied sanctions against me, i only want to hear from one. and yesterday, after finally having a meltdown, i realized that the sound of someone’s voice can be something we remember forever. and in not being able to hear a voice, one can wish for it like a favorite song.

and i miss your voice. but i respect your reasons for vocally sanctioning me. and i love you. and if all you can read are these words, i hope they sound like a voice in the back of your head. and i’m proud of you and happy for you in your new life that i know absolutely nothing about.